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Wheel of Fortune


Anne Peabody
Opened June 2010
in the Atrium Gallery
Exhibited in conjunction with the 2010 GAS (Glass Art Society) Conference

A site-specific installation by Anne Peabody commissioned for the 21c Museum, Wheel of Fortune is a physical record inspired from the artist's memory of the tornado that leveled much of Louisville on April 3rd, 1974. The work consists of broken eggs, flashlights, dolls’ heads, turkey basters, and batteries made of wood as well as found objects made of glass swirl together that form a massive funnel cloud in 21c's Atrium Gallery.

Peabody made the carved wooden objects in Wheel of Fortune by hand and has invited other carvers and wood turners (some of whom lived through the tornado themselves), to contribute pieces for the installation. The found objects of glass also include items given to the artist by friends and neighbors.

"I wanted to look at the clash between devastation and beauty, and the unexpected consequences of disaster. I started from my own childhood memories of the 1974 tornado, which left my house untouched but my neighborhood devastated and my yard filled with other people’s possessions. While Wheel of Fortune grew out of events in own my life, I want to speak to the experience of anyone touched by the bizarre dislocations of calamity."

The exhibition is presented in conjunction with the 40th annual Glass Art Society (GAS) conference occurring in mid June of 2010

About the Artist

Born in Louisville, Anne Peabody lives and works in Brooklyn and has exhibited internationally, including at the 53rd Venice Biennale in 2009. Since 2006, Peabody has been exploring the idea of the hierarchy of objects and their use in recording a specific place and time. Peabody received her Bachelor of Fine Arts at Washington University in St. Louis and her Master of Fine Arts at the School of Visual Art in New York City, where she received an Alumni Thesis Award. Peabody is represented in numerous private and public collections.



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Anne Peabody
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in the Atrium Gallery
Exhibited in conjunction with the
2010 GAS (Glass Art Society) Conference
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